"In a textiles warehouse, Esther (Lotta Losten) sees a silhouette of a woman with monstrously long fingers when she turns the lights off, but sees nothing when the lights are on. She warns owner Paul (Billy Burke) about the apparition and leaves. Paul is later dragged into the darkness and gruesomely killed by the woman.
Paul's stepdaughter Rebecca (Teresa Palmer) lives alone in an apartment, away from her mother, Sophie (Maria Bello), and brother, Martin (Gabriel Bateman). Sophie has a mental illness and depression that has resurfaced, in which she talks to an apparently imaginary "friend." When Martin sees the apparition with his mom, his fear gives him insomnia.
Because he fell asleep in homeroom for three days, his teacher sent him to the nurses office, where his Child Protection Services advisor, Emma (Andi Osho) calls Rebecca to the school. Rebecca takes Martin home, but after a fight with their mother, she takes him to her to the apartment to protect him. That night, she awakens to scratching by the silhouetted woman - who almost attacks her, though Rebecca manages to turn the light on, making the figure disappear. The next morning, Rebecca finds what the woman was scratching into her floor: the name "Diana." She recalls her experiences with Diana from her own childhood, and the reason she left when her father abandoned them.
That night, Sophie has a movie night with Martin, but includes her imaginary friend, frightening him. She tells him a story about Diana (Alicia Vela-Bailey), a friend she had when she was in a mental institution for her depression. Diana had an unusual condition that made her skin light-sensitive. Martin looks up to see Diana crouched above him and runs to turn on the light, and Diana throws Sophie out of the way to get to Martin. She fails and Martin escapes to Rebecca's.
Rebecca confronts Sophie about Diana but she denies the accusation. Rebecca, her lover Bret (Alexander DiPersia), and Martin decide to stay overnight to protect Sophie. Rebecca goes to her mom's bedroom door to reconcile when Sophie secretly passes her a note saying "I need help", before Diana tugs her back into the darkness. Rebecca realizes that her mother is being controlled by Diana, and turns on all the lights in the house to keep her away.
Knowing their intentions, Diana baits Rebecca and Martin into the basement by turning off all the lights. Bret is attacked but escapes and contacts the police. Rebecca realizes that while Diana disappears under normal light conditions, the use of a black light can allow them to see her. This black light allows Rebecca to discover that Diana can be materialized. Meaning that when Diana is exposed to first black light, then ordinary light, she will not just suddenly disappear. Her skin will actually burn. Rebecca discovers scrawled writings along a basement wall, explaining how Diana will not let anyone take Sophie. The writings on the wall reveal that Diana killed Rebecca's father, and will not allow anyone to take Sophie away.
Bret discovers that Rebecca and Martin were in the basement, and as he was trying to open the door, Diana attacks Bret. Bret barely making it to his car, leaves the house to fetch for help.
A pair of police officers arrive, responding to what they believe to be a domestic disturbance. The lead officer is attacked and killed by Diana, but not before freeing Rebecca and Martin from the basement. The officer's partner calls for backup before pursuing Diana further into the house. Rebecca sends Martin outside to Bret, and goes back inside to rescue her mother. Diana is about to kill Rebecca when Sophie arrives brandishing a pistol. Sophie exclaims that she's the only connection Diana has that tethers her to the human world. She sacrifices herself with a bullet to the head in an effort to save her children, causing Diana to burn away and disappear.
Afterwards, the police carry away Sophie's body, with the distraught Rebecca, Martin, and Bret at the ambulance, as they embrace and vow to stay together. The lights in the ambulance momentarily flicker, but Bret dismisses it, to Rebecca and Martin's relief."
Lights Out (2016 film) n.d. In Wikipedia. Retrieved 15th November 2016. From https://en.wikipedia.org/wiki/Lights_Out_(2016_film)
Producers -
New Line Cinema - "New Line Film Productions Inc., often simply referred to as New Line Cinema, is an American-French film studio founded in 1967 by Robert Shaye as a film distribution company, later becoming an independent film studio."
New Line Cinema. n.d. In Wikipedia. Retrieved 23rd November 2016. From https://en.wikipedia.org/wiki/New_Line_Cinema
RatPac-Dune Entertainment - "RatPac Entertainment (trading as RatPac-Dune Entertainment) is an American motion picture production and financing company formed in a merger by producer-director Brett Ratner, his partner billionaire James Packer, and Dune Entertainment's Steven Mnuchin, which provides funds to a number of Warner Bros. films. The company is the result of a 2013 merger between RatPac Entertainment and Dune Entertainment, following a collapse in negotiations between Dune and 20th Century Fox – which led the company to close a deal with Warner Bros. instead, replacing Legendary Pictures as Warner's key co-financing partner. Dune had been co-financing Fox films since 2006."
RatPac-Dune. n.d. In Wikipedia. Retrieved 23rd November 2016. From https://en.wikipedia.org/wiki/RatPac-Dune_Entertainment
Atomic Monster Productions - "Atomic Monster Productions is an American film production company, founded by director James Wan. The company was founded in 2014 and is known for producing horror films such as Annabelle, The Conjuring 2, Lights Out and the upcoming film Annabelle 2."
Productions of Note -
Annabelle (2014) - Budget 6.5 million USD - Box Office 256.9 million USD
The Conjuring 2 (2016) - Budget 40 million USD - Box Office 320.2 million USD
Lights Out (2016) - Budget 4.9 million USD - Box Office 148.1 million USD
Atomic Monster Productions. n.d In Wikipedia. Retrived 23rd November 2016. From https://en.wikipedia.org/wiki/Atomic_Monster_Productions
Distributors -
Warner Bros. - "Warner Bros. Entertainment Inc. (often referred to as Warner Bros. Pictures, Warner Bros., Warner Brothers and also shortened to WB) is an American entertainment company and a division of Time Warner, headquartered in Burbank, California. Warner Bros. is a member of the Motion Picture Association of America."
Warner Bros. n.d. In Wikipedia. Retrieved 23rd November 2016. From https://en.wikipedia.org/wiki/Warner_Bros.
Timeline:
0:00-0:09 - The scene starts off with the man walking down a dark path in the warehouse. The sound of his footsteps emphasize that no one is around and that he is alone because you can only hear his footsteps and keys. The is a close-up shot used to show the man turning his head. The scene opens with a man walking down a dark corridor.
0:10-0:24 The man carries on walking down the path ,the low key lighting and music stay the same. there is a fade out and close up of the mans face.
0:025-0:39 There is still lowkey lighting but this is the point where the music starts to get quicker and louder emphasizing that something is going to happen. there is a close up of the mans face again when he realizes that the creature is stood in front of him which is used to show his emotions and in this case the close up shot showed us the panic on the mans face. Then there is a long shot showing the creatures body standing up in the spotlight. this spotlight is used to show the creature more clearly. The lights then turn off.
0:40-0:42 The lights switch back on again and the creature is shown to have got closer to the man. The music changes as well and gets quicker.
0:42-0:53 There is an over shoulder shot of the man looking around for the creature that has now disappeared and so the music starts to build up tension that something bad is about to happen.
0:53- 1:02 There is a close up of the mans face looking around the women as well. He is also shown running away in the direction he came from and trips and falls with the sound of his keys falling out of his pocket.
1:02- 1:11 The man quickly gets up as he notices the wound on his leg but still try's to get away into his office where he locks himself in and switches the main lights on. This instantly changes the low key lighting to high key lighting.
1:37 - 2:00 The man walks towards his office window to look for the creature but realizes its to dark and turns around to grab a baseball bat for protection if the creature decided to come back at him again. there is a close up shot of his confused face.
2:00-2:09 The lights in the office begin to flicker and this is when the man knows he is in trouble. Dialogue is used here as well. As the lights start to flicker the music starts to build up and the man starts to back away walking backwards before the lights go out.
2:09-2:14 The door knob is shown to be titled and the door then opens with the man on the other side of it.
2:14- 2:18 A shadow moves across the screen and the man is shown to be holding his baseball bat in the corner scared and confused and then there is a loud bang.
2:18-2:32 this is where the music starts to build up again and the lighting becomes lowkey.
2:32- 2:35 There is a shot of the rest of the warehouse.
2:35- 2:42 There is a shot of the man on the floor with blood on his face. This shows that he has been killed by the creature but the scene leaves the story line on a cliff hanger as to why he died. as its a horror theme the opening scene didn't end on a happy ending. There is a fade out in to a blank screen.
2:42-2:50 There is a blank screen and then the title scene appears.
Analysis
Setting:
The opening scene is set in a large warehouse. This means that its big and may be in the middle of no where. This links back to the horror theme as cries or screams would not be heard by anyone. This builds a much more scarier effect that the guy is alone with no one around to help him. The warehouse is very dark as well and this creates the fear of the unknown and what's hiding around the corner. Also in the warehouse there are a bunch of mannequins which builds up tension where you think they are real humans but there actually lifeless.
Lighting
The lighting in the opening scene is low key lighting. Around the warehouse are small spotlights which are used to highlights the important bits such as the creature being stood in the spotlight. High key lighting is used when the man enters his office and turns his lights on but this only lasts a few seconds before the lights are turned off again. This could show that when he entered his office the audience felt layer back and thought all the creepiness had ended until the lights switch off again and tension builds up as to what will happen next. Lighting
Costume:
The man in the opening scene seems to be wearing casual work clothes. He is wearing a shirt and trousers which makes him look like a stereotypical working man. However the creature is shown to be naked wearing no clothes, which may interpret that its a ghostly figure. It makes the scene more scary because its not what you would expect to see. The creature had long black hair that was let loose and was not tied up which may also show how pure and natural the creature was.
Sound:
The sound in the scene builds up creating tension and making the audience aware that something bad is about to happen. When this happens the music then stops completely and then starts again and builds up slowly. This pretty much happens during the entire film opening. Special effects such as the creatures screams and sound of the man walking are also used to show what going on and making everything more clear to the audience.
Movement:
There is a lot angled shots used to shown the movements of the characters in the opening scene. these include a canted angle shot of the man running to his office.
Focus group feedback:
- Adam - "This film opening is very effective because already it has many jump scares and this is what is needed in the horror theme to engage a viewer to keep on watching and from watching the opening scene, I would carry on watching the film."
- Ellie - "This film opening is very good because it sets the scene and the setting really well and is easy to understand and watching it puts me on the edge of my seat already."
- Katy - "I enjoyed watching this and I think its effective because it leaves a mystery and makes the viewers want to carry on watching so having a good film opening builds suspense and makes the viewers like me want to watch on."
- Helena - "This opening film definitely had more jump scares than I expected and already shows a lot of action going on making it more interesting and putting me at the edge of my seat."
What I have learnt:
I have learnt that the tracking shot used in this film opening is effective as it gets a different angle of the setting and makes the scene flow easily. Other than showing whats going on in one long shot, it also sets the setting well. Also I have learnt that the jump scares are effective and are mostly created by the diegetic sound.

